Are We Making Automatic Photography Too Hard?

Outdoor fill flash

The other day, I watched another of the seemingly endless videos teaching how to control your automatic exposure camera and TTL flash to get the right balance. I don’t have anything against auto-exposure, or TTL flash. But when I listen to the contortions people go through to trick the auto system, which was itself tricked by the scene….. well, wouldn’t it be easier to just set the camera and flash manually?

In the video, the photographer was trying to balance flash with daylight. To pull it off, he ended up dialing in minus 2 to 3 stops of exposure compensation in the camera (just to get back to a sunny-16 base exposure) and then plus 2 to 3 stops in the flash compensation to get to a good flash exposure. And that, after a lot of trial and error and chimping. And he’s the teacher!

The photo to the right is a good example. The photo was taken in mid-June, just a little after noon. I would have had a difficult time getting the “auto” exposure features to figure it all out. Instead, I just set the camera and strobe using a few, simple rules-of-thumb.

It’s hard for beginners to get their heads around why the camera misleads them, and then how to dial in an offset to adjust for it. My hypothesis is that it would be easier to learn just a few basics of exposure, and then set the camera and flash for what you want. Quick, done, get what you want.

Maybe it’s fear of having to learn something they think will be hard that scares people off. If only they understood how hard they were working, just to avoid working a little. I’m sure the same is true of human nature in other areas of learning as well.

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Off to See the Redwoods

Can you guess from the photo below that we were off hiking in the redwoods again? This time, we went to the Humboldt Redwoods State Park in Northern California. It’s a beautiful park with a number of groves of old growth Coastal Redwoods. The world record tree is somewhere in the park, standing over 370 feet tall. They keep its location a secret to avoid the crowds of people trampling its roots. But we sure saw plenty of giant trees, a number of them more than 360 feet tall.

The picture below was taken looking almost straight up with an extreme wide angle lens. I know it’s a very common technique, but to me, it’s the best way to convey the trees reaching for the sky. National Geographic took a different approach by creating a top to bottom panorama of a tree to show it in its entirety. But, they also had a team of people working together over a period of weeks to make the photo. You can see the result on the National Geographic web site.

Humboldt Redwoods State Park

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Another HDR Example

This particular image was taken in December 2009 on Jekyll Island in Georgia. It’s another high dynamic range (HDR) image done with Photoshop CS5’s new HDR Pro. I’ve also included the three separate exposures that were used to create the final image. I really like the results from HDR Pro. In particular, I seem to be able to get much more realistic results. I also like that it is tightly integrated with Photoshop, which I see as an advantage versus Photomatix Pro.

The sequence of exposures shows the challenge. The first shows the foreground nice and bright, but the clouds and sky in the background are completely washed out. The last image captures the details in the clouds, but the foreground is completely black. The middle exposure shows the middle ground between the two extremes, but even there, the foreground is too dark and the sky is too bright.

Jekyll Island Sunset - sequence of exposures

Jekyll Island Sunset

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A New Tutorial

If you like tutorials, be sure to check out my latest entry to learn the tricks to green screen photography.

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Archive of Previous Posts

Are you really curious about what I’ve done for the last couple of years?  This link will open my original blog page which covers the first half of 2010.  There is a link at the bottom of that page to go back even futher.

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