Honeymoon Lake Revisited

I’ve said it before, but I sometimes like to revisit an image and process it again. The photo below is from Jasper National Park in Canada. I recently went back to the original image and played with different approaches. I’ve always liked the image, but I’ve never been completely satisfied with the result. This time, I tried a black and white version, and I think I like it better.

Honeymoon Lake in Jasper National Park

One of the interesting features in the photo is the flat rocks in the foreground. The water was very shallow there, so the rocks are only a few inches below the surface. I like the texture and the way their shapes mimic the mountains, but their color tended to clash with the blue sky. In the color version I just let the overall blue reflection overpower the color and texture of the rocks. But in the black and white version, I was able to fully reveal the texture and shape of the rocks, and I like the way it compliments the rest of the composition.

By the way, if you haven’t been there, I strongly suggest a trip to the Canadian Rockies. They are much more rugged dramatic than their US counterparts, perhaps because they are younger in geological terms.

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“Fore” Generations

I was home visiting family over Thanksgiving, and we decided to spend our Black Friday on the golf course. It was a really special event for me since we had a foursome made up of four generations. Pictured below (left to right) are my grandson, Chase, my son Chris, myself and my father, Clarence. You might also have picked up on the fact that all of our names begin with ‘C.’ Chase is actually my daughter’s oldest boy, so it’s not a linear four generations, but it’s still four generations.

Four generations of golfers

This was Chase’s first time on a golf course, and we were all amazed at how well he did. He hit a number of really good shots, and rarely had a bad shot. With some training and practice I think he will be a pretty good golfer.

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Photography and Woodworking?

When I first began to adopt digital photography processes in the mid-1990’s, I was immediately drawn to its power. Since 2005 I’ve been exclusively using digital cameras and processes, and I definitely like both the process and the results. But, I also see lots of folks who prefer the process and look of film, which left me wondering why I preferred digital.

Banff Natioinal Park, Canada

Before I continue, let me say up front that this post isn’t about film versus digital. That’s one of those arguments where no one wins. Rather, it’s about me, and why I’ve finally concluded that I prefer digital. As it turns out, my exercise in introspection helped me understand other aspects of my taste as well.

Consider woodworkers for a moment. There are two rather sharply divided camps – those who prefer working with hand tools and those who prefer working with machine tools. I’m the type who works with machine tools. When I build something, I’m looking for the mechanical precision that power tools provide. Others prefer the more organic results that result from hand tools, but that’s just not my taste. I do find it ironic that the goal of most hand tool woodworkers is to be able to produce perfectly flat surfaces and perfectly mating joints. Of course, that’s an area where machine tools excel, but the hand tool woodworkers view those as cheating.

It turns out that taste in photography is very similar. Film and wet-chemistry processes provide a more organic result. There are built-in characteristics that end up in the finished print. And, the “best” photographers (think Ansel Adams) have perfected their processes so that they can mold and control many of those characteristics. Digital processes give us the tools to fine-tune just about any characteristic of the image that we want. It takes a lot of skill, practice, training and time to do it well, but the end result can be an image with all of the organic artifacts cleaned up.

So, digital photo processes are a lot like using woodworking machine tools. It allows you to produce results with mechanical precision that is difficult or impossible to achieve with manual processes. Of course, buying a table saw doesn’t immediately create good designs, much less guarantee straight cuts or properly fitting pieces. Likewise, buying a digital camera and Photoshop doesn’t immediately generate good photos, it still takes a lot of skill.

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Half a Dome is better than No Dome at all

I haven’t done much new photography lately, so I’m posting another photo from Yosemite. This is a view of the Yosemite Valley viewed from the Glacier Point Overlook 3,000 feet above the valley floor. It’s a completely different perspective on the valley. When you’re in Yosemite Valley it’s certainly awe-inspiring to look up at the granite walls, but you never get to see the whole valley. When you get up above the valley floor you really get to see the size and shape of the valley.

Yosemite Valley viewed from Glacier Point

One of the great aspects of this viewpoint is the clear view of the iconic Half Dome formation on the right side of the valley. It’s a very distinct landmark, and you can immediately recognize it in photos and know you’re looking at a photo from Yosemite. While it looks like a round sphere that has been cut in half, geologists believe that it never was a whole dome.

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Yosemite National Park – Headlights on the Wawona Road

I’ve finally recovered from a dead computer, so I’m celebrating by posting another photo from Yosemite. My computer died during my trip to Yosemite, which left me unable to review my photos. Fortunately, my daily routine includes running a backup of all the photos I’ve just downloaded before I clear out the memory cards, so I didn’t loose any photos. But, it’s still quite a hassle to install everything on a new computer. If you don’t have a regular backup routine, I strongly urge you to get started right away.

Headlights of passing cars on Wawona Road in Yosemite National Park

This was a fun photo. I was returning from Glacier Point at sunset and was hoping to find a good spot along the road. However, the Park Service was doing a number of controlled burns in the valley which created a lot of haze. The result was stronger colors, but lack of definition and I didn’t really get anything I was happy with. So, after the sun went down, I set up to do long exposures as cars passed by to create the streaks of light from the cars’ lights.

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