A Maternity Portrait with a Creative Twist

Maternity photo with flowing fabric

When I do a more traditional photo session, I like to add some creative flair to produce a unique image. This maternity photo is a good example of using light and motion to transform a simple portrait into a more interesting fine art photograph.

Other than cropping and a little bit of selective darkening, this image is straight out of the camera – no Photoshop tricks. The effect is created by using a large studio strobe to light the front profile of the mother-to-be and a handheld flashlight to illuminate the tulle wrap as it was being waved up and down. Simple but very effective.

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It’s OK to use Photoshop

Moose at Jasper National Park, Canada

Yes, I used Photoshop to manipulate this photo. Keep reading to learn more.

If you’re familiar with my work then you probably already know that I’m an enthusiastic user of Photoshop. It can be controversial, and Photoshop has become an easy target for a certain group of activists, but I believe Photoshop is simply a tool. What’s important is how you use the tool, and whether you’re intent is to deceive.

In literature, there are clearly works of both fiction and non-fiction. I’ve never heard anyone complain that the latest novels from Steven King or John Grisham are just a made-up pack of lies and that those events never really happened. I think we all understand that a novel is a creative construction intended to entertain, not educate. If the same author writes a non-fiction book, then we expect it to be a true and accurate representation of actual events.

The same is true for photography. When you view a news or forensic photo, you have to trust that the photographer made every attempt to present their view of the scene as accurately and honestly as possible. But, when you’re enjoying a fine art photograph, you shouldn’t assume that what you’re seeing is real. It may be – or it may not be.

I can state with confidence that every one of my fine art photographs have been manipulated, some more than others. My manipulation is an integral part of my creative process; it’s how I create my own artistic interpretation the scene. I adjust colors and brightness, I crop the image, I stretch or distort areas, and I routinely remove objects or distractions. I will sometimes add something that wasn’t originally in the picture, but that is rare. Most importantly though, I will never try to convince you that I didn’t manipulate the photo.

Moose at Jasper National Park, Canada before Photohop manipulationSo, what about the moose photo above? This is the original frame from the camera with only default processing. We found this majestic moose standing in front of a magnificent scene of water, mountains and clouds. Unfortunately, the moose had chosen to stand next to a rather unsightly boat dock. Of course, it’s was easier (and less intrusive) to use Photoshop to remove the dock than to try to get the moose to move. Once the dock was removed, the moose appeared to be facing in the wrong direction, but a little more work fixed that.

I don’t show this photo very often. It’s an interesting image, but I don’t find it particularly “artsy.” The bigger problem for me is that it looks like a nature photo rather than a fine art photograph. My concern is that we tend to look at nature photos with the same level of expectations for authenticity as news or forensic photos and many viewers will assume that the photo has not been manipulated.

So, now that you’ve seen the original, and you know more about the photo, does that change your view? Do you like the image less knowing that it was manipulated?

Update – if you’re interested in seeing how the edit was done without using the Clone Stamp tool you can download the layered Photoshop file here. You may need to right-click on the link and choose to save the target file (Save target as…).

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My Approach to Fine Art Figure Photography

Abstract nude figure

It’s easy to make a pretty picture of a pretty subject, but I learned a long time ago that a beautiful scene doesn’t necessarily translate into an interesting fine art photograph. I want my photography to be more than just a pretty picture. My goal with my art is to create an image that makes you want to spend a little time to figure it out.

Well known photographer Jay Maisel said that a successful image has three important characteristics; light, color and gesture. I put a lot of energy into creating light that makes the subject more interesting which means paying as much attention to the shadows as to the light itself. For color, I normally prefer the level of abstraction that black and white provides, but lately I’ve been experimenting more with color as an important part of the composition. Gesture is embodied in the model’s pose where I look for graceful lines and a bit of mystery.

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Simple Light and Color Creates a Beautiful Image

Brightly colored flowersI don’t consider myself to be a flower photographer, but I love to create fine art photographs from colors and textures wherever I find it. In this case, it’s a simple vase of flowers illuminated by a very large silver umbrella. The angle of the light creates wonderful highlights and shadows which give the photo a sense of depth and dimension.

One of my favorite aspects of this image is the color depth – that is that there is a combination of both warm and cool colors. In fact, you can squint your eyes (so that the image appears out of focus) and the image takes on a beautiful abstract pattern of color.

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A Simple High-Key Fine Art Photo

High key nude

Sometimes, simple is better. Most of my fine art photos are low-key photos, meaning that they are dominated by dark tones. This is an example of a high-key photo where it is predominately made up of light tones. The result is a simple elegance and a very light and airy feeling.

From a technical point of view, lighting and processing are really quite simple. You need to be a little careful with exposure if you’re using an automatic exposure setting on your camera since it will tend to underexpose the image.  You also need a good monitor that’s properly calibrated so that you get an accurate preview of how the image will print.

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